Review: Carmen (Opera di Roma, Palace Cinemas)
Bizet at Trump’s border wall brings back a certain relevance.
Bizet at Trump’s border wall brings back a certain relevance.
With Clive Paget now Editor at Large in New York, Jo Litson steps into his shoes.
With the MEAA conducting a survey into sexual harassment in Australian theatre, Limelight asked the orchestras about the issue.
Opening night belonged to Australian soprano Helena Dix in the role of Queen Elizabeth I.
Ashkenazy's Shostakovich tribute with violinist Ray Chen reached an unforgettable incandescence.
The Australian Chamber Orchestra has announced a three-year partnership with London’s Milton Court Concert Hall.
Kate Moore, Gabriella Smart and Rafael Karlen will receive accomodation and financial support to create new works.
Baroque violinist Rachel Podger on Mozart, Haydn and the joys of leading the Orchestra of the Age of Enlightenment.
The programme includes Jordi Savall, Jean-Efflam Bavouzet, Taipei’s U-Theatre and the Michael Clark Company.
Violinist Harry Bennetts delivers an excellent Tchaikovsky Concerto.
Despite choristers blushing and the Anglican Church declaring it “unsuitable,” Belshazzar’s Feast went on to conquer the world.
Australian music, Ross Edwards celebrates a milestone birthday, and a new music micro festival in CRH’s 2018. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
Beautiful playing from Kathryn Selby and an SSO crack-squad.