Sarah-Grace Williams named Artistic Co-Director of ASPIRE
The Metropolitan Orchestra’s maestro will join Sean O’Boyle at the helm of next year’s festival on the Gold Coast.
The Metropolitan Orchestra’s maestro will join Sean O’Boyle at the helm of next year’s festival on the Gold Coast.
The soprano, who dropped the double bass for singing lessons as a teenager, talks about Puccini’s heroines, her multifaceted career, and her upcoming star turn as a mermaid.
The French cellist's Vivaldi disc is Limelight's Recording of the Month in November. He tells us why the Red Priest's sonatas are in his DNA.
Queyras and his co-musicians add some glitter to Vivaldi’s bare torsos.
Janine Hosking's documentary on the life of pianist Geoffrey Tozer asks the question, "What went wrong?"
Sarah Grunstein's boisterous Goldbergs are far from soporific.
The line-up includes the Mahler Chamber Orchestra, Moscow's Sretensky Monastery Choir, and Meryl Tankard's Two Feet performed by Natalia Osipova.
Musica Viva’s outgoing CEO reflects on almost two decades in a role she’d originally planned as a career stepping-stone.
She takes home $5000 in cash after being awarded first place at the inaugural competition held in Melbourne.
Sydney University Graduate Choir celebrates the centenary of the Armistice at the Sydney Town Hall.
One of Australia's most passionate and beloved conductors and music educators has passed away.
The SSO's former chief Edo de Waart gives a muscular account of Beethoven's final symphony.
A magnificent concert in the first of three organ recitals by Joseph Nolan.