A night of considerable musical promise as New Yorkers get to know their 26th Music Director.

A change of lead halfway through doesn't quite sink Brisbane Festival's compelling Peter Grimes.

The tenor was unable to sing after interval, walking the role as his cover sang from the wings.

The 33-year-old Swiss-Australian conductor adds another feather to her cap with this latest engagement.

Where once one was branded as one type of musician or another, now young players can benefit from multidisciplinary lessons of the past to shape the music of the future.

To music by Schubert and Stravinsky, Circa gives us a thrillingly athletic portrait of civilisation's destruction and rebirth.

Guillaume de Machaut was the finest composer of the 14th century. Antony Pitts, Artistic Director of The Song Company, explores one of his most extraordinary manuscripts.

Warhorses come up fresh in Steinbacher and Ashkenazy’s hands.

Life looks busy for the young conductor with new positions at Sydney Chamber Choir, Christ Church of St Laurence, and Gondwana Choirs.

In his new work for the Australian String Quartet, the composer holds a mirror up to the form made famous by Joseph Haydn.

In preparing to stage an operatic version of Kafka’s Metamorphosis for Opera Australia, the director has been pondering what this story of a man who turns into a bug really means.

Hewitt’s latest batch of Beethoven is as tasty as ever.