A question of performing Wagner in Israel
Playwright Victor Gordon imagines a confrontation between a young Israeli conductor and an elderly Holocaust survivor.
May 2, 2017
Lost & Found to bring a touch of Tahiti to a Perth sitting room
WA's most innovative opera company will stage Bernstein's Trouble in Tahiti as you've never seen it before.
May 2, 2017
It’s 20 questions time for Warwick Fyfe
The baritone on the operas he could live without and what went wrong when he tried to clutch an Aida's arm.
May 2, 2017
Review: Nordic Adventures (Adelaide Symphony Orchestra)
Norwegian conductor Eivind Aadland plays to the ASO’s strengths.
May 2, 2017
ACO’s Mountain headlines Limelight’s May 2017 issue
Richard Tognetti's new odyssey leads a line up including Brett Dean's Hamlet, Orwell's 1984, Messiaen's Turangalîla and more.
May 2, 2017
Blind soprano makes opera history
Ju Hyeon Han is the first blind singer to play a lead role in an American conservatory or university opera production.
May 1, 2017
Review: Stalin’s Piano (Canberra International Music Festival)
A captivatingly scrapbooky interplay between piano and the voices of history.
May 1, 2017
Jeffrey Tate on ringing in the New Year with a knighthood
The conductor and ASO Artistic Advisor speaks about being honoured for his services to British music.
May 1, 2017
Review: Mahan Esfahani (Utzon Music Series)
Harpsichord wizard delivers all that is expected, and plenty more.
May 1, 2017
Review: Beyond Baroque (Melbourne Chamber Orchestra)
Christopher Moore helps Bach family dynasty demonstrate long-term appeal.
April 30, 2017
Review: Two Weddings, One Bride (Opera Australia)
An affectionate "jukebox operetta" featuring some sparkling music and performances.
April 30, 2017
Review: An Easter Celebration (Bach Akademie Australia)
Auspicious start for new baroque kids on the block.
April 30, 2017
Review: The October Revolution (Canberra International Music Festival)
A smart, challenging programme highlighting Shostakovich's personal upheavals.
April 30, 2017