Review: Never Tilt Your Chair Back on Two Legs (Tura New Music, PICA)
Kate Neal’s ear for the intricate and eye for flair created a complex metallic sound world.
April 12, 2017
“I’m going to get emotional,” says Jacqueline Dark
The mezzo on the prevalence of domestic violence and why she believes “Cavalleria Rusticana is absolutely contemporary”.
April 12, 2017
Opera Australia’s Summer Season breaks company records
The company has broken its box office record with ticket sales of more than $14 million between New Year’s Eve and April 1.
April 11, 2017
Johannes Fritzsch: TSO’s first Principal Guest Conductor
The German-born conductor will take up the new position with the Tasmanian Symphony Orchestra in January 2018.
April 11, 2017
Composer Du Yun wins 2017 Pulitzer Prize for Music
The Chinese-American composer has been recognised for her "bold" opera Angel's Bone about human trafficking.
April 11, 2017
“Virginia Woolf’s work is so rich,” says Max Richter
The composer speaks to Clive Paget about his new album of music for Wayne Mcgregor's ballet Woolf Works.
April 11, 2017
Supported by 
Carl Vine: “You feel like you are part of the music-making”
Ahead of his Musica Viva Festival, the Artistic Director talks about the allure of intimate performer-audience relationships.
April 10, 2017
Just Joshing: a profile of virtuoso violinist Joshua Bell
From busker to band leader, meet the young gun turned experienced hand.
April 10, 2017
NY Philharmonic Music Director lashes Donald Trump
Alan Gilbert accuses the "really horrible" President of playing on people’s fears and lying as a political strategy.
April 10, 2017
Carl Vine joins Aussie educators in defending musical notation
Musica Viva's AD and the Sydney Symphony Orchestra’s Director of Learning share their views on the furore.
April 10, 2017
Harry Potter weaves its magic at the Olivier Awards
Harry Potter and the Cursed Child breaks records at the 2017 Awards, while Minchin's Groundhog Day wins Best New Musical.
April 10, 2017
Review: German Romantics (Sydney Chamber Choir)
Rock solid a cappella mastery in a thoughtful programme by Sam Allchurch.
April 9, 2017
Review: Yidaki (William Barton, Adelaide Symphony Orchestra)
William Barton left the audience deeply moved by an experience that had touched them to the core.
April 8, 2017