An auspicious debut by an exciting new addition to the Tasmanian music scene.

Australia's Madeleine Easton joins the Japanese great for a richly orchestrated concert of some of Bach's most beautiful and innovative music.

An exquisite hour for Francophiles on the shortest day of the year.

Recently named Music Director of the English National Opera, André de Ridder is also the next Music Director of the New Zealand Symphony Orchestra.

Log in to read the flipbook version of Limelight's July 2025 magazine.

On the centenary of Erik Satie's death, we examine the iconoclastic composer once described by John Cage as “indispensable”.

On the 150th anniversary of Carmen, we talk to director Anne-Louise Sarks about her new production for Opera Australia.

Arriving in Australia this month, British clarinettist Michael Collins chats about his fast-paced career and surviving two terrible setbacks.

Nicola Boud explains the many differences between historical and modern clarinets, as she prepares to tour for Musica Viva Australia.

Mat Schulz, the co-Artistic Director of Kraków’s Unsound festival, unpacks his 2025 program for Illuminate Adelaide.

Andrew Ford explains how he was given permission to write his “free ramble”, which has its premiere at the Australian Festival of Chamber Music.

Ahead of his Australian tour, British organist James O’Donnell tells Jansson J. Antmann how he keeps the repertoire fresh.