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Classical Music, Vocal & Choral
Live Review

Review: St John Passion (Melbourne Symphony Orchestra)

A nuanced, emotionally stirring rendition of the last days of Christ, conducted with reverence for music and story.

April 8, 2024
Classical Music
features

Théotime Langlois de Swarte’s life with Vivaldi

The ingenious violinist explains the secrets of a good program and the impact of one man's music.

April 8, 2024
Classical Music, Opera
CD and Other Review

Review: Donizetti: L’esule di Roma (Britten Sinfonia, Opera Rara Chorus, Carlo Rizzi)

Opera Rara sheds light on a Donizetti rarity, mad scene for bass-baritone and all.

April 8, 2024
Classical Music
Live Review

Review: JACK Quartet (Utzon Music Series)

Experimenters old and new feature in New Yorkers JACK Quartet’s iconoclastic debut show.

April 7, 2024
Classical Music
Live Review

Review: Handel and Vivaldi Arias (Melbourne Symphony Orchestra)

Australia’s Mr Baroque, Erin Helyard, led a splendid concert starring soprano Samantha Clarke.

April 5, 2024
Classical Music, Instrumental
CD and Other Review

Review: Debussy, Komitas: Music in Time of War (Kirill Gerstein, Katia Skavani, Thomas Adès, Ruzan Mantashyan)

The music of Debussy and Komitas speaks to our own troubled times.

April 5, 2024
Chamber, Classical Music, Festivals
features

Canberra International Music Festival: Larry and Luigi

Canberra International Music Festival Artistic Director Roland Peelman brings together two disparate giants of modern music.

April 4, 2024
Chamber, Classical Music
news

Australian Music Centre announces 2024 MOMENTUM Commissions

Composers Christine Pan and Aaron Wyatt will each write a new work to be premiered in Melbourne in late 2024.

April 3, 2024
Classical Music, Orchestral
CD and Other Review

Review: Miklós Rózsa: Orchestral Works (Deutsche Staatsphilharmonie Rheinland-Pfalz, Gregor Bühl)

Concert works of a great film composer.

April 3, 2024
Classical Music
features

Madeleine Easton and her Grancino violin: “It’s my life partner!”

Love at first sight brings with it joy, responsibilities and a whopping insurance premium, says Bach Akademie Australia's Madeleine Easton.

April 2, 2024
Classical Music
Live Review

Review: The Protecting Veil (Sydney Symphony Orchestra)

Balm for the spirit in Easter Week, courtesy of conductor Sir Donald Runnicles, cellist Matthew Barley and composer John Tavener.

April 1, 2024
Classical Music, Opera
CD and Other Review

Review: Wagner: Parsifal (Jonas Kaufmann, Wiener Staatsoper, Philippe Jordan)

Kaufmann lays down a signature role with (some) sterling support.

April 1, 2024
Classical Music, Vocal & Choral
Live Review

Review: Fauré’s Requiem (Sydney Philharmonia Choirs)

A timely message of redemption and hope in a concert shining light into the world's dark places.

March 30, 2024

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