David Hallberg "honoured" to lead The Australian Ballet until 2030; new Executive Director announced.

Pina Bausch's works are still remarkable, but the distance between the late choreographer and the company bearing her name is palpable.

Based more closely on Prosper Merimée’s novella than Bizet's opera, Johan Inger’s Carmen gets inside Don Jose’s head – and it’s a dangerous place.

An evening of highs and lows at Adelaide Festival. Sometimes, writes Deborah Jones, things just don't work out.

Bringing together 1,000 volunteers, Stephanie Lake’s one-off, site-specific happening is a hypnotic celebration of community and the joy of dance.

Concerned with how we manage to live right now, A Quiet Language sends joyful shafts of light into the darkness.

In Larsen C, choreographer Christos Papadopolous reveals a creative impulse that is unique, visually intriguing and virtuosic.

A starry night night of new contemporary works with Tara Gower's riveting Ripples shining hardest.

"Mao's Last Dancer" and former Queensland Ballet Artistic Director to be honoured by the Prix de Lausanne.

The Spanish dancer, choreographer and director Ivan Gil-Ortega to take the reins at QB after Leanne Benjamin's sudden departure in 2024.

Mathilda Ballantyne, Mali Comlekci, Sonrisa Hubbard, Eka Perunicic and Sam Winkler will make their company debuts in Melbourne in March.

Immaculate work from a company of 12 but there may be less to The Chronicles than meets the eye.