The new initiative to nurture aspiring choreographers has a cash prize of $10,000. The winner will also create a new work for The Australian Ballet's 2022 Bodytorque program.
The Little Prince is so ingenious in conception and seemingly effortless in execution, it will continue to glow inside audience members who see it.
Angela Goh extends her 2020 Keir Choreographic Award-winning solo and makes another winner.
The unnaturally long and testing gestation of Australasian Dance Collective’s world premiere season Three forms a frame that echoes the triple bill’s ever-timely themes.
A high-tech movement and sound installation that prioritises form over substance.
On the eve of a new ballet, we ask why Tolstoy’s novel still inspires so many adaptations.
We look at Leo Tolstoy’s Anna Karenina and why it has inspired so many adaptations, composing women past, present and future, and the piano works of an overlooked Australian composer lost and found.
Tour-de-force dance-theatre makeover of Australia's first woman PM is a must-see.
This staging of Giselle by Aurélien Scannella and Sandy Delasalle hits new heights.
Steve Dow looks at what the 2021-22 Federal Budget has in store for the arts industry after the horror year of the COVID-19 pandemic.
After 15 long months the renowned choreographer's work returns to the stage thanks to Australasian Dance Collective, with an early piece whose purpose is to intrigue.
Deborah Cheetham and David McAllister will both receive a 2020 JC Williamson Award today, while Jill Smith and Ann Tonks share the Sue Nattrass Award.
Hamed Sadeghi and Steven Oliver discuss their performances in the latest UnWrapped program, which includes First Nations cabaret, contemporary dance, Iranian-influenced jazz, Irish-Danish folk and innovative digital performance.
