Review: In the Shadow of Time (Co3 & Australian Chamber Orchestra Collective)
Dancers put body and soul into Raewyn Hill's new work, but the surprises lie in superbly played musical choices.
Dancers put body and soul into Raewyn Hill's new work, but the surprises lie in superbly played musical choices.
Season highlights include a new collaboration with Bangarra Dance Theatre and the Australian premiere of Justin Peck’s Copland Dance Episodes.
From synaesthesia to superstar pianists, bold theatre to groundbreaking dance – October’s Limelight is packed with must-hear, must-see artistry.
Created by Alice Topp, Butterfly Effect is a work that leaves you longing to experience it again.
After joining The Australian Ballet in 1962, Colin Peasley went on to exert a profound influence on the company.
The Sydney Fringe Festival gets off to a cracking start with a sleek, elegant work celebrating bodies, light and space.
Invited by Dame Peggy van Praagh to be a Principal with the newly formed Australian Ballet in 1962, Welch was central to the company’s formative repertoire.
Nine shows will share in $1.75 million fund to take performances to audiences in regional and remote communities.
Log in to read the flipbook version of Limelight's September 2025 magazine.
Are Australian orchestras and musical institutions genuinely embracing Indigenous voices?
Alice Topp’s first full-length ballet, Butterfly Effect, inspired by Madama Butterfly, is about to premiere at West Australian Ballet.
Big issues, huge voices, major talents ... September's Limelight casts a wide net over the Australian music and performing arts scene and hauls in a bumper catch.
Big issues, huge voices, major talents ... September's Limelight casts a wide net over the Australian music and performing arts scene and hauls in a bumper catch.