Sydney Dance Company’s Continuum includes a new work choreographed by Stephen Page to music by William Barton. We find out how it came about.

From synaesthesia to superstar pianists, bold theatre to groundbreaking dance – October’s Limelight is packed with must-hear, must-see artistry.

Comparing Mozart to heavy metal, Queensland Ballet’s Artistic Director describes himself as a musical sponge.

The editors of Limelight share their selection of the most exciting classical music, opera and theatre events coming soon.

Dancers put body and soul into Raewyn Hill's new work, but the surprises lie in superbly played musical choices.

Season highlights include a new collaboration with Bangarra Dance Theatre and the Australian premiere of Justin Peck’s Copland Dance Episodes.

From synaesthesia to superstar pianists, bold theatre to groundbreaking dance – October’s Limelight is packed with must-hear, must-see artistry.

Created by Alice Topp, Butterfly Effect is a work that leaves you longing to experience it again.

After joining The Australian Ballet in 1962, Colin Peasley went on to exert a profound influence on the company.

The Sydney Fringe Festival gets off to a cracking start with a sleek, elegant work celebrating bodies, light and space.

Invited by Dame Peggy van Praagh to be a Principal with the newly formed Australian Ballet in 1962, Welch was central to the company’s formative repertoire.

Nine shows will share in $1.75 million fund to take performances to audiences in regional and remote communities.