Review: Nowhere (Stompin, Ten Days on the Island)
A work that allows contemplation of ownership and belonging; of land and waterways.
March 14, 2019
An opulent but Dangerous new ballet
Liam Scarlett is adapting the famous French novel Les Liasions Dangereuses.
March 13, 2019
Review: Make Your Own World (Lucy Guerin Inc, Dance Massive)
An intricately composed dance work featuring an intelligent cast.
March 13, 2019
Grande Finale: A wild waltz for the end of time
Hofesh Shechter’s apocalyptic dance work bound for Adelaide.
March 7, 2019
Review: Two Feet (Adelaide Festival)
Meryl Tankard's remarkable solo work from 1988 has been remade in exquisite fashion with prima ballerina Natalia Osipova now starring.
March 4, 2019
Antony Hamilton on being Massive and Chunky
The in-demand choreographer talks about becoming AD of Chunky Move and his new four-hour work for Dance Massive where two humans are trapped in a world of superseded objects.
March 4, 2019
Review: Rameau, Maître à Danser (Brooklyn Academy of Music)
William Christie's spirited revival of an antiquated artform proves there's life in Rameau's old dogs yet.
March 3, 2019
Review: Recital (FORM Dance Projects, Riverside Theatres)
A dancer and a percussionist collaborate in an unusual duo, but the work still has more room to move.
March 2, 2019
Dame Margaret Scott has died
The dance educator and founding director of The Australian Ballet School has died at 96.
February 25, 2019
2019 Australian Dance Awards cancelled
Shrinking government funding for Ausdance National has led to the decision.
February 18, 2019
Meryl Tankard: To the Pointe of Madness
The choreographer tells us about reviving her famous solo work Two Feet with prima ballerina Natalia Osipova now starring.
February 13, 2019
Review: In-Synch: Ballet at the Quarry (West Australian Ballet)
WA Ballet’s annual season of contemporary short works offers interesting ideas but lacks sophistication.
February 11, 2019
Review: The Great Tamer (Dimitris Papaioannou, Perth Festival)
A spectacle of visual design and unspoken storytelling.
February 10, 2019