The Australian Ballet shines in work old and new, plus a sassy Mao-inspired world premiere.

Expressions Dance Company serves up a second helping of this award-winning work by former AD Natalie Weir.

Thanks to the dancing, this production is worth seeing, despite Greg Horsman’s cliché-ridden story-telling.

Amy Hollingsworth, the new Artistic Director of Expressions Dance Company, launches her first season.

Ako Kondo seems to float through the air in a divine performance as Giselle.

Inside the issue: Ute Lemper, Requiems to die for, Rossini's Il Viaggio a Reims, ZOFO's new Pictures at an Exhibition, the Bolshoi Ballet and more.

Featuring Ute Lemper, requiems, Rossini's Il Viaggio a Reims, ZOFO's new Pictures at an Exhibition, the Bolshoi Ballet and the AWO's Alexander Briger.

The Farm stages a B-grade thriller viewed from inside your own car.

Amelia Drummond will have the opportunity to create a new work for The Australian Ballet this October.

Artistic Directors of ballet companies are usually male, as they all are in Australia. But here, the Executive Directors are all female. Dilshani Weerasinghe and Jessica Machin tell Jill Brown about their relationship with their artistic counterparts, and the future directions they want to shape.

The greatest voices of all time. Why women in the ballet industry are at a turning point. Charlie Chaplin's secret life. Andreas Ottensamer. Bach.

An exciting triple bill with two new works, and the exhilarating mainstage debut of Melanie Lane’s WOOF.