The one-time wild-child of British dance pays homage to Bowie, Satie and Patti Smith.

Subscribe or renew your subscription to Limelight magazine before Friday February 9 to receive our March 2018 issue, delivered from February 22.

There is much to savour in this new dance theatre work, but it needs a clearer, stronger focus.

A special summer holiday bumper edition, the January/February 2018 issue of Limelight Magazine features Barrie Kosky on his daring production of The Nose. Plus, we reveal our 2017 Artists of the Year and chat with the Orava Quartet.

From nude dancers to opera superstars, here are the top ten live reviews that had our readers hooked in 2017.

Emerging and established artists across a range of disciplines have been given the resources to pursue and develop their careers.

Meanwhile, Jake Mangakahia secures the people’s vote a second time after his win in 2012.

One of the participants in SDC's choreographer development initiative tells us about his work, which uses music by Rachmaninov and Prokofiev.

Born into poverty in China, “Mao’s Last Dancer” – now AD of Queensland Ballet – describes his first contact with an unearthed Swan Lake.

Concerned that Jason and Elissa Blake's new online arts platform Audrey Journal is a conflict of interest, Fairfax Media has stopped using them as contributors.

Beautifully staged and danced, each of the three works has its moments but the choreography needs more of a dynamic.

Misty Copeland makes a highly anticipated role debut in a breathtakingly beautiful production.