Ahead of performances at the Canberra International Music Festival, French bagpiper Erwan Keravec talks about expanding the reach of his instrument.

Liza Lim talks to Maddy Briggs about her curatorial vision for the Melbourne Symphony Orchestra’s 2025 Metropolis Festival.

Olivia Bettina Davies explains how her new work for piano four hands for the Canberra International Music Festival stands out from her recent works

The editors of Limelight share their selection of the most exciting classical music, opera and theatre events coming soon.

A new category of Foundation Events to be prioritised for three-year Strategic Investment Agreements and relaxed regulation.

Stepping in at the last minute due to Alfred-related cancellations, the ACO Collective had the wind at its back as it opened the 2025 OFCM.

Amelia Ryan and Libby O’Donovan celebrate the women who made it in the rock and pop music industry – and those who fell victim to it.

Theatre and opera director Matthew Lutton "thrilled" as he makes the leap from Melbourne's Malthouse to Adelaide Festival.

Bringing together 1,000 volunteers, Stephanie Lake’s one-off, site-specific happening is a hypnotic celebration of community and the joy of dance.

Taut and terrific, Simon Stone’s production of Kaija Saariaho’s final opera is a potent deep dive into what motivates an atrocity.

Dr Lou Bennett and Paul Stanhope’s song cycle about a repatriated baby girl's journey has a mesmerising Australian premiere.

Concerned with how we manage to live right now, A Quiet Language sends joyful shafts of light into the darkness.