Review: The Artist (Michel Hazanavicius)
The Artist manages to be both broadly accessible and sophisticated in its understanding of cinema.
The Artist manages to be both broadly accessible and sophisticated in its understanding of cinema.
Powerful, palpable and downright haunting, Martha Marcy May Marlene is a staggering cinematic achievement.
Bernstein's masterpiece screens at the Sydney Opera House with live orchestral backing.
Leonard Bernstein’s friends, family and fellow musicians discuss the man and the legend. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
Sigur Rós's former string section has come into its own, bringing bucketloads of instruments, quirky tunes and charm to the Sydney Festival.
Pedro Almodóvar has developed a sense of style so unique his films occupy an idiosyncratic genre all of their own.
The gravitational force of depression is devastatingly and magnificently explored in Lars von Trier’s Melancholia.
Fabrice Luchini excels in this expertly crafted upstairs-downstairs comedy set in 1962.
The brilliant performers who brought the house down in 2011, as chosen by Limelight readers.
Rocker-turned-composer Trent Reznor unveils music for David Fincher’s much-hyped film. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
Insightful, shocking, lurid, masterful: eight examples of Russell’s composer portraits on film. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
The experimental director brought the “creative genius” of classical composers to life on screen. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
fter his devastatingly arresting death trilogy (Gerry, Elephant, Last Days), Gus Van Sant takes a gentler look at the flipside of life.