The November magazine celebrates the milestone with 100 classical CDs and the chance to win them all!

Have your say and tell us who you think delivered the most memorable performances of 2011. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in

There’s a case to be made that Woody Allen’s career has been grievously underrated in its autumnal stage.

The difficulty of producing a documentary about Glenn Gould’s life and his eccentricities must have been daunting.

The Hunter boasts some striking cinematography; it’s just the internal landscape that feels a little lacking.

Rachel Weisz makes for an intractable UN Peacekeeper in this earnestly well-meaning drama about human trafficking. 

Music filmmaker Christopher Nupen was "haunted" by Paganini as he delved into the life of classical music's first rock god.

In this brisk and handsomely mounted tragi-comedy Charlotte Rampling plays an eccentric and controlling matriarch.

Lifelong female friendship is the subject of this lush weepie, in which a pair of interlinked tales unfold in two timeframes.

Unabashedly autobiographical, Beginners bumbles through the life of lovelorn graphic designer.

Australia’s two most loveable film critics look back on 25 years of At The Movies in a new exhibition. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in

Yes, classical music can be funny. Ten thigh-slappingly good piss-takes of the noblest artform.