Review: David Lang: The Loser (Bang on a Can Opera Ensemble)
Lang’s new opera counts the cost of knowing Glenn Gould.
Lang’s new opera counts the cost of knowing Glenn Gould.
Stanford’s last opera shows extraordinarily dexterous word-setting.
Castorf’s take on Janáček’s prison opera sure involves a lot of cooks.
Baroque soap opera: Gervais does fifty weddings and a funeral.
Soprano Eva Kong is about to make her debut as Manon in Seoul – though the performances, which were planned to take place in front of an audience, will now stream live.
In his final column, Clive Paget recommends Glass at the Met, OA's Turandot, and a handful of European gems.
Opera-Bytes is Victorian Opera’s latest digital offering from its youth chorus ensemble, VOYCE.
Eleanor Lyons and her conductor/pianist husband Vladimir Fanshil have formed LIVEATYOURS, a new project offering “micro-concerts” in people’s homes, which launches tonight.
Clive Paget recommends a week with the Vienna State Opera, Glyndebourne's Vanessa, and asks who's afraid of Arnold Schoenberg?
Clive Paget recommends an Australian Butterfly, a resurrected Austrian miracle and six of the best from Belgium.
Clive Paget recommends modern masterpieces from the Met, Rattle’s damnable Faust, and a seven-year-old Yo-Yo.
Bartoli beards the most legendary of castrati in his very own baroque den.
Pierre Audi’s minimalist Tristan throws welcome focus on voices.