Finalists announced for the IFAC Handa Australian Singing Competition
Four sopranos and a baritone will compete for the $30,000 Marianne Mathy Scholarship.
Four sopranos and a baritone will compete for the $30,000 Marianne Mathy Scholarship.
With a song penned by The Don, Bradman is bringing it home.
Simon Phillips' entertaining production of The Turk in Italy gives Rossini's comedy plenty of sparkle.
From sublime singing to ridiculously good comedy, this new production is the next big step up for a small opera company.
The Magic Flute from Berlin’s Komische Oper in which singers interact with stunning animations is coming to the 2019 Perth and Adelaide Festivals.
An uneven presentation of this comedy from Wagner.
Ahead of his appearance as Baron Ochs in Melbourne Opera’s Der Rosenkavalier, the Australian bass discusses why the role is his very favourite.
Over the past two decades, Australian Heldentenor Stuart Skelton has quietly conquered the operatic world. He reveals how he discovered he wasn’t vocally bulletproof, and admits to an ambition to run an opera house.
Erin Helyard gives us masterworks from Monteverdi and Vivaldi, as well as two recitals with an Australian premiere to whet the appetite.
The soprano has withdrawn from the orchestra’s hotly anticipated presentation of Tristan, which was to have featured Stuart Skelton and Westbroek in the title roles.
Moffatt Oxenbould’s much-loved production of Puccini’s opera will return to the stage for OA’s first multi-city international tour in October.
Get your copy of Limelight Magazine's August 2018 edition featuring Stuart Skelton, Kate Mulvany's adaptation of The Harp in the South, Carl Vine, Dame Joan Hammond, and the orchestras on the world's fringe who are thriving.
Critic Paul Selar gives us his insight into four of the operas on offer at Bayreuth this year.