A standout performance by Warwick Fyfe sees Madeline Lee soar.

Richard Wagner said he wrote music with an exclamation point. Isn’t the dramatic soprano the exclamation point? asks Nina Stemme. The world’s reigning dramatic soprano talks to Jansson J Antmann ahead of her much-anticipated return to Hobart for a Wagner Gala with John Lundgren.

This issue features the young Australians destined for greatness, Nina Stemme on Wagner's heroines, interviews with Katie Noonan, Donald Runnicles and more.

Meet the next generation of classical music stars, learn what changes at mainstage venues mean for the industry, an interview with Nina Stemme and more.

David Robertson and a fine cast deliver a detailed reading of Gershwin's masterpiece that should silence naysayers.

Possessed of a radiant, sumptuous voice, the legendary soprano was 74 years old.

An Australian creative team is behind the controversial production, which stars Pretty Yende as an Internet sensation, influencer and fashionista.

Performance spaces are being redeveloped and built all over the country. Steve Dow charts the changes happening to mainstage venues, and explains what this flurry of architecture will mean for classical music and the performing arts.

The opera star, who has been accused of sexual harassment by multiple women, has withdrawn following the dress rehearsal of Macbeth, which he considers his final performance on the Met stage.

Kirsten Flagstad revisited, Marriner’s pre-HIP Bach and DG’s Ozawa box.

The New Zealand tenor has taken out the major prize at the IFAC Handa Australian Singing Competition.

Recording WASO’s concert performance of Tristan und Isolde with Asher Fisch and Stuart Skelton was a huge challenge, says producer Virginia Read, but also a once-in-a-lifetime experience.