Limelight Awards: 2012 Winners Announced!
The cream of the classical music crop, as chosen by Limelight readers in 2012. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
The cream of the classical music crop, as chosen by Limelight readers in 2012. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
Melbourne Recital Centre pays tribute to the classy Dame whose generosity in the arts is legendary. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
Peter Maxwell Davies rocks the boat with his operatic thriller about the suspicious disappearance of three lighthouse keepers. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
Pinchgut Opera explores Rameau’s bizarre operatic love triangle. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
The myths of Mozart: brat, genius… god? Plus Limelight’s annual classical Christmas gift guide. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
Pirates... But not as we know ‘em!
A new CD celebrating the National Gallery’s Toulouse-Lautrec exhibition sheds light on Satie, Ravel and the music of the Belle Epoque. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
Ahead of her Australian tour, the Korean diva answers Facebook and Twitter questions. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
One of the 20th century’s most prolific composers, he showed no signs of slowing down in old age. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
Nobody does special projects quite like Cecilia Bartoli – each one with at least a few premiere recordings, and each seemingly more elaborate than the last. Mission is no exception, having been preceded by a whimsical YouTube video series and even inspiring a new book by American detective novelist Donna Leon. The centre of all this activity? Agostino Steffani: composer, priest, diplomat and possible spy, whose name has fallen into obscurity but who, according to Bartoli and company, might just be the “missing link” between Monteverdi and Vivaldi in the development of Italian opera. It’s hard to argue with their evidence. This double disc not only showcases Bartoli at her intense and virtuosic best; it’s an immersive musical experience, whose interest lies not merely in the novelty and rarity of the repertoire, but in its genuine brilliance. Gorgeous melodies, tireless musical invention, and a deft sense of theatre leap out at every turn (it’s hardly surprising to discover how heavily Handel was influenced by Steffani, even incorporating some of the latter’s compositions into his own works) and while the program is long, there’s little chance of fatigue. Bartoli’s expressive palette is as colourful as Steffani’s own, and this music –…
From Janáček's overgrown path to Mussorgsky's facial mess (far from modest), these are the top 20 moustaches in classical music.
Ahead of her Australian tour, Sumi Jo chats to Limelight readers on Facebook and Twitter.
Drawing on his experiences in Nazi Germany, Henze became one of the most influential composers of the 20th century. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in