Johannes Fritzsch to lead new conducting summer school
The TSO and UTAS have launched the programme, which looks to the next generation of conductors.
May 9, 2017
Review: From Russia With Love (The Metropolitan Orchestra)
Sydney's Met musos indulge in a little musical vodka.
May 7, 2017
Review: Hong Kong Philharmonic (Sydney Opera House)
Mahlerian big finish makes up for problematic choices earlier.
May 6, 2017
Australian Chamber Orchestra bags a 400-year old cello
The new instrument, valued at $1.4 million, is an Amati and was played by the cellist Amaryllis Fleming.
May 5, 2017
The orchestral training programme AISOI has been discontinued
The University of Tasmania’s Conservatorium cites a new focus behind the decision to axe the summer school.
May 5, 2017
Academy of St Martin in the Fields nurtures young composers
Twins Jessica and Olivia Ellis brought their instruments and open minds to the orchestra's composition masterclass.
May 5, 2017
Review: Spanish Baroque (Australian Brandenburg Orchestra, Circa)
A compelling physical spectacle with a rich soundtrack.
May 4, 2017
Review: Nordic Adventures (Adelaide Symphony Orchestra)
Norwegian conductor Eivind Aadland plays to the ASO’s strengths.
May 2, 2017
Jeffrey Tate on ringing in the New Year with a knighthood
The conductor and ASO Artistic Advisor speaks about being honoured for his services to British music.
May 1, 2017
Review: Beyond Baroque (Melbourne Chamber Orchestra)
Christopher Moore helps Bach family dynasty demonstrate long-term appeal.
April 30, 2017
Review: An Easter Celebration (Bach Akademie Australia)
Auspicious start for new baroque kids on the block.
April 30, 2017
Recipients of the 2017 Art Music Fund announced
Works will range from opera, electronics, and immersive live performance, with two thirds of funding going to women composers.
April 28, 2017
It’s 20 questions time for Baiba Skride
The Latvian violinist shares her favourite recordings and her most embarrassing moment on stage.
April 27, 2017