UKARIA's new season features performances from pianist Stephen Hough, horn player Katy Woolley, the Orava Quartet and The Australian Vocal Ensemble AVÉ among others.

We look at opera's love affair with wine, the Australian Chamber Orchestra's new project River, and Virginia Gay's emergence as a playwright. We also salute Paul Goodchild, doyen of Australian brass.

Headlined by William Barton’s powerful world premiere for didgeridoo and orchestra, the Queensland Symphony Orchestra delivered a first-class program of classics and new work.

Adelaide’s new festival, Illuminate Adelaide, celebrates the crossover of music and technology. This year’s line-up includes an immersive virtual reality work involving William Barton and the Australian String Quartet, and a solo improvised concert by Paul Grabowsky.

This month’s concert highlights from ABC Classic, independent radio and streaming.

The new Director of Artistic Programming at the Australian Chamber Orchestra, and former ABC Classic and ABC Jazz Content Manager, reflects on how his musicologist father informed his curiosity, and admits to playing the cello, badly.

Guy Noble owns up to a bad case of PCSD–Post-COVID Stress Disorder – manifested in unusual bouts of negativity, foreboding and absent-mindedness.

Ahead of a solo with the Australian Romantic & Classical Orchestra, Brian Nixon explains why you will often see the timpanist with an ear close to the drum.

How the Australian Chamber Orchestra went with the flow for its latest film project.

Basque band have home ground advantage for some ripping Ravel.

Australians deserve to hear a great deal more music by First Nations peoples, women, gender non-conforming people, composers of colour, and our male contemporaries argues Felicity Wilcox.

Spanish maestro Jaime Martín should prove a hit as Melbourne Symphony Orchestra’s new Chief Conductor.