This month's features include profiles of Australian choreographer Stephanie Lake and didge virtuoso William Barton, an interview with Mary Finsterer about her new opera Antarctica, Dr Anita Collins on why music makes us feel so good, and Peter Tregear on the winds of change at Opera Australia.

Leya Reid and Georgie Cyrillo at NAVA argue that an arts and cultural policy, or National Cultural Plan, is essential if we are to start taking arts and culture seriously.

Fiona Winning, the curator of Sydney Opera House's UnWrapped, discusses the power of the Sydney Opera House brand to entice audiences to try something a little out of the ordinary.

Caleb Lewis’s underworld is a revelatory journey of wonder and discovery.

The Australian actor received one of six nominations for the current revival of the classic musical The Music Man, alongside his co-star Sutton Foster.

This sequel to Unqualified is sharply funny, has a lot to say about virtually anything and is a glorious antidote to our current existential malaise.

The Arts Minister makes the Morrison Government's re-election pitch to the Arts community.

This funny, honest, heartwarming farewell by the late Aidan Fennessy celebrates togetherness through song.

Jodie Comer is riveting in the West End debut of Suzie Miller's bracing one-woman #MeToo monologue.

A merry band of young theatremakers breathes new joy into one of Shakespeare's zippiest comedies.

The Queensland director comes full circle to lead La Boite into its second century.

The new digital archive features the first dedicated library of Australian operas and is accessible to the public.