OzAsia Festival announces its 2018 season
OzAsia Artistic Director Joseph Mitchell chats to Limelight about some of this year’s highlights.
OzAsia Artistic Director Joseph Mitchell chats to Limelight about some of this year’s highlights.
Rohan Browne leads a talented cast in this energetic, crowd-pleasing take on the 20-year-old Australian musical.
Sydney Theatre Company offered Kate Mulvany the chance to go “big and bold” with an Australian novel. So she has written a two-part, five and a half hour adaptation of Ruth Park’s Harp in the South trilogy.
The Daily Telegraph has applied to amend its defence in light of the statement, which Rush’s barrister described as “too little, too late”.
A lo-fi musical comedy set in a small Aussie town offers plenty of rough-and-ready fun.
The August 2018 issue of Limelight Magazine features the thrilling ride to international Wagnerian glory of Australian Heldentenor Stuart Skelton.
Get your copy of Limelight Magazine's August 2018 edition featuring Stuart Skelton, Kate Mulvany's adaptation of The Harp in the South, Carl Vine, Dame Joan Hammond, and the orchestras on the world's fringe who are thriving.
The CAAP Directors Initiative unites three state theatre companies to discover the next generation of Asian Australian directors.
H Lawrence Sumner’s latest play brims with life in this world premiere directed by Neil Armfield.
Ferocity and vulnerability are beautifully balanced in this premiere by Claire Christian.
Relentless performances in this Australian premiere will leave you crying with laughter.
Shelagh Delaney's debut play remains just as vivid and perceptive as ever.
Jonathan Holloway's line-up includes 16th-century polyphony, virtual reality crossed with live performance, a dance-opera, and toy plastic pianos.