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Theatre
Live Review

Review: Sexual Misconduct of the Middle Classes (Melbourne Theatre Company)

MTC returns with this intriguing, witty, #MeToo Movement tale of a teacher-student affair.

March 12, 2021
Theatre
Live Review

Review: One Man In His Time: John Bell and Shakespeare (Bell Shakespeare)

The eminent actor draws on his 65-year passion for The Bard, delivering a range of speeches and some fascinating insights into the plays.

March 12, 2021
Theatre
Live Review

Review: Outdated (Ensemble Theatre)

Delightful performances give this small romance a big heart.

March 11, 2021
Theatre
Live Review

Review: Shaun the Sheep’s Circus Show (Circa and Aardman in association with QPAC, Screen Queensland & Arts Queensland)

This fun-filled family show, based on the much-loved television series, is well crafted and staged.

March 8, 2021
Theatre
features

One Man In His Time: John Bell and Shakespeare

Australia's great Shakespearean actor discusses his new solo show, why The Bard is so special, and how Shakespeare's writing has become his secular Bible.

March 5, 2021
Classical Music, Light Classics, Musical Theatre & Cabaret, Theatre
features

Brunswick Ballroom opens its doors

The new Melbourne venue will offer eclectic programming from Kate Ceberano to Dustyesky to David Helfgott, with an immersive La Bohème on the horizon.

March 4, 2021
Circus, Theatre
Live Review

Review: The Pulse (Gravity & Other Myths, Aurora, Adelaide Festival)

The Adelaide-based contemporary circus troupe takes a bold leap forward with its latest, ambitious show.

February 28, 2021
Theatre
Live Review

Review: The Cherry Orchard (Black Swan State Theatre Company, Perth Festival)

A slightly uneven but innovative take on Chekhov's famous play.

February 28, 2021
Theatre
Live Review

Review: Playing Beatie Bow (Sydney Theatre Company)

Kate Mulvany's new play based on Ruth Park's classic children's novel, set in The Rocks, is the perfect way to reopen the refurbished Wharf.

February 27, 2021
Theatre
Live Review

Review: The Boy Who Talked To Dogs (Slingsby, State Theatre Company South Australia, Adelaide Festival)

World Premiere proves love is a four-legged word.

February 26, 2021
Theatre
Live Review

Review: Young Frankenstein (Hayes Theatre Co)

Alexander Berlage's colour saturated, overblown production of Mel Brooks' musical doesn't quite find its groove though there's still much to enjoy.

February 24, 2021
Theatre
Live Review

Review: A German Life (Adelaide Festival)

This Australian premiere rightly challenges us to the point of discomfort, raising more questions than it answers.

February 24, 2021
Theatre
features

Shaun the Sheep meets the circus

Yaron Lifschitz, AD of Circa, explains how Aardman's much-loved animated TV show is playing tricks in Brisbane.

February 23, 2021

Posts pagination

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