Review: My Dearworthy Darling (Malthouse Theatre)
Modern alienation merges with Medieval mysticism in Alison Croggon’s new play.
Modern alienation merges with Medieval mysticism in Alison Croggon’s new play.
One of our busiest playwrights is directing her new work for Queensland Theatre.
This issue includes features on Léo Delibes' Sylvia, Shostakovich's Fourth Symphony, Golden Age string instruments, and composers Schumann and John Kander.
Explore the history of Delibes' Sylvia, why Shostakovich's Fourth Symphony was so dangerous, and discover what makes 'Golden Age' instruments so special.
Van Badham's new play tackles pickup artistry and the internet's seamy underside.
By establishing the rift between the boys too early, the production doesn't have the inexorable tension or poignancy of the book.
It’s a flawed musical, but the swinging 60s score sings and Cameron Mitchell's production is very entertaining.
A refreshing, original musical that raises the spirits and touches the heart.
This beautiful, joyous production reveals why the Oscar winning rom-com truly belongs in the theatre.
This touring production of Shakespeare's rom-com ably marries laughs and feminism.
Arts Centre Melbourne’s Arts Wellbeing Collective has launched the new pilot program as part of its suite of mental health and wellbeing initiatives tailored for the performing arts.
Was it parochialism (as some have claimed) or acknowledgement of a groundbreaking moment in Australian theatre that saw Counting and Cracking win Best Play?
Once again it was Counting and Cracking's night as the epic new play from Belvoir and Co-Curious took home three more awards.