Jez Butterworth’s play steers for profundity. Whether it gets there is left to you to determine.

A vivid picture of a working-class wedding does double duty as an unflinching portrait of post-Brexit Britain.

Throughout his long leadership of the National Institute of Dramatic Art, Clark demonstrated a rare ability to align artistic ambition with institutional strategy.

This sparkling production is the perfect introduction to a new musical theatre venue in Sydney.

Honouring its 40-year legacy with a phantastic new Phantom at the helm, this spectacular outdoor staging of Lloyd Webber’s megamusical is unmissable.

A brilliant adaptation turns Miles Franklin's classic into a world-class musical without compromising its feminist essence or Australian identity.

This production, staged in a large and wholly unsympathetic venue, struggles to find the play’s heartbeat.

Bette & Joan doesn't pierce the surface of its Hollywood star subjects but this production does polish it to a high sheen.

Melanie Tait named the recipient of the award established in 2024 to support mid-career writers.

A fascinating historical tale of escape and derring-do but this detailed retelling risks becoming as confusing as the final chapter of Mission: Impossible.

Less is more in Suzanne Chaundy’s new production of a play about the Port Arthur massacre’s aftermath.

From Mahler’s audacious First Symphony to site-specific bells and Sting's working-class roots, April’s issue explores music, place and identity.