Review: Year of the Rooster (Spinning Plates Co. & fortyfivedownstairs)
A cautionary for any maximalist theatre-maker: more is more, until it’s too much.
A cautionary for any maximalist theatre-maker: more is more, until it’s too much.
Cate Blanchett, Trevor Ashley and Suzie Miller among those nominated for British theatre's most prestigious honours.
Queensland Theatre Company's A Few Good Men and Shake & Stir's The Lovers among the shows spotlit in the 38th Matilda Awards.
Bernie Dieter's Weimar-inspired variety night leaves its audience not just entertained but galvanised.
An insightful interrogation of what it means to live both privately and performatively, underpinned by a masterful performance.
An ideal introduction to the theatre, Slingsby’s last hurrah is a timely reminder that storytelling is vital to our survival.
Equally at home on stage and screen, Bayly built a reputation for intelligence, warmth and formidable presence.
Set in modern Korea, Simon Stone's adaptation of Chekhov's final play captures the tenor of our uncertain times.
This high-camp jukebox musical, combining an Elizabethan tale with music by The Go-Go's, still has room for more exuberance.
A stirring evening of bardic entertainment performed in a historic library as evocative as it is beautiful.
British writer Sam Holcroft's satire reminds us that censorship seldom shows up wearing jackboots.
“Refreshing in its experiment with genre and form”: Emilie Collyer's Super wins the VPLA Drama Prize.
Sam Raimi's cabin-the-woods horror gets a spoofy musical theatre renovation. You get laundry time.