Review: Ute Lemper – Rendezvous with Marlene (Adelaide Cabaret Festival)
A fateful phone call between an aging star and an emerging starlet becomes the vehicle for an unforgettable evening of exquisite cabaret.
A fateful phone call between an aging star and an emerging starlet becomes the vehicle for an unforgettable evening of exquisite cabaret.
Anthony Warlow tells Jo Litson that he has refound his theatre mojo in the demanding role of the Demon Barber of Fleet Street.
Helen Dallimore delivers the gold at end of the rainbow.
Shakespeare’s star-cross’d lovers return to the stage with a few modern touches.
Kat Stewart and Peter Kowitz are both impressive, but the relationship explored in the play feels somewhat improbable.
Queensland Theatre and Brisbane Festival are to stage a theatrical adaptation in September 2020, directed by Sam Strong.
Suzie Miller's play is a gripping, empathetic look at how the law routinely fails victims of sexual assault.
Great music and visuals save David Bowie’s existential musical from total alienation.
This ambitious dive into the Australian psyche struggles with the novel’s epic complexity and mystery.
Alexander Berlage kills it with a sensationally staged production.
She joins an all-star cast for Stateless, a drama about Australia's immigration system.
A charming, wry comedy where actions speak louder than words.
A compelling, timely drama, if underdeveloped.