Review: Charlie and the Chocolate Factory (John Frost and others)
It's maybe not as thrilling a show as some of Willy Wonka's confectionery, but there's plenty to enjoy.
It's maybe not as thrilling a show as some of Willy Wonka's confectionery, but there's plenty to enjoy.
A well-crafted piece of theatre that requires a constant negotiation of what it means to be an audience member.
Simon McBurney’s first Schaubühne production, Beware of Pity, comes to the Sydney Festival.
Full of stage magic and illusion, HOME at the Sydney Festival offers a touching look at the intimate moments that make a house a home.
Omar Musa’s politically-charged show tells pointed, moving personal stories about life in Australia today.
British director John Tiffany explains the genesis of a hit show and how Aussie actors are making it theirs.
We reveal our 2018 Artists of the Year. Other features include The Magic Flute, Meryl Tankard's Two Feet and Australian Brandenburg Orchestra at 30.
Inside this issue: 2018 Artists of the Year, The Magic Flute, Meryl Tankard's Two Feet, Australian Brandenburg Orchestra at 30, Leonardo Da Vinci 500.
S. Shakthidharan and Eamon Flack discuss a sweeping new drama that tells a different kind of Australian story on stage.
The actor, who starred in numerous television series, and who was a great supporter of Australian theatre, has died of cancer.
Sydney Theatre Company leads the charge this year, becoming the first ever company to make a clean sweep of the Best Mainstage Production category.
Acclaimed performer and director Mitchell Butel will take up the position in March.
The Australian actor has made a series of explosive allegations about Rush in The New York Times and ABC.