Cellist Hilary Kleinig talks about creating the score for a theatre work, The Aspirations of Daise Morrow, based on Patrick White’s short story Down at the Dump.
Soon to appear in the Australian premiere of Mike Bartlett’s Wild, inspired by the story of Edward Snowden, Schmitz discusses playing a mysterious character simply referred to as ‘Man’.
Epic storytelling and theatrical magic score as Harry and Co’s kids board the Hogwarts Express.
Tim Finn’s score plays a key role in Sam Strong’s new Queensland Theatre production.
Simon Stone's bravura North American debut and Billie Piper's excoriatingly honest performance make Yerma unmissable.
Opera Australia was the biggest winner of the night taking home nine gongs, while My Fair Lady and Aladdin dominated the musical theatre category.
Joyce DiDonato and Daniela Barcellona have been recognised for their star turns in David Alden’s Semiramide, which has also been honoured in this year's awards.
The ‘little Canadian musical that could’ is headed to Melbourne, and Aussies are in for a treat.
This adaptation of Erdman’s The Suicide fails to plumb the depths of its characters’ despair.
Lucy Kirkwood's intimate dystopia paints a world in which sacrifices must be made.
Simon Russell Beale is widely regarded as the finest stage actor of his generation. Ahead of The Death of Stalin, Steve Dow sat down with Beale to discuss his role as sinister NKVD chief Lavrentiy Beria.
The latest issue of Limelight Magazine, with maestro Riccardo Muti, Simon Russell Beale on The Death of Stalin and Greta Bradman, is now available for subscribers to read online.
Get your copy of Limelight Magazine's April 2018 edition featuring maestro Riccardo Muti, The Death of Stalin's Simon Russell Beale and Howard Shelley on Mendelssohn's A Midsummer Night's Dream.
