Review: Wild (Melbourne Theatre Company)
This intelligent, provocative play uses the Snowden affair as the springboard for a not-so-speculative deep dive into 21st-century surveillance.
This intelligent, provocative play uses the Snowden affair as the springboard for a not-so-speculative deep dive into 21st-century surveillance.
Everything’s coming up roses for director Richard Carroll who now tackles Gypsy.
A complex love letter to Sydney, Alana Valentine’s new play tracks the lives of three generations of working class women.
This adaptation of Peter Carey’s novel is an uneven, sometimes laborious tragi-comic exploration of an adman’s existential crisis.
A new take on an old classic reveals uncommonly good gossip as currency.
The intimate concert sees Criss perform pop hits and musical theatre favourites.
Brazilian baritone Paulo Szot will play Juan Perón opposite Tina Arena as Eva, it was announced today.
An alchemical brew of popular music with a modern interpretation to create box office gold.
The outgoing Festival Director talks to Limelight about what's in store for this year's Next Wave festival.
The May 2018 issue of Limelight Magazine reveals what really motivated the original, hard-working, hard-living, musical genius – Leonard Bernstein.
What if Frida Kahlo and Leon Trotsky had a child? Natalie Gamsu finds out in this unusual cabaret show.
Lui’s incisive romantic comedy Black is the New White has won the Nick Enright Prize at this year’s NSW Premier’s Literary Awards.
Heather Mitchell’s finely judged, compelling performance as Catherine McGregor is this new play’s drawcard.