Review: The Shiralee (Sydney Theatre Company)
A powerful, poetic adaptation exploring masculinity, parenthood and redemption in outback Australia’s heart.
A powerful, poetic adaptation exploring masculinity, parenthood and redemption in outback Australia’s heart.
“Every work this season is less than 10 years old and every voice is Australian,” says Black Swan's Artistic Director Kate Champion.
Unravelling in a sharehouse bathroom during a wild end-of-lease party, this new site-specific show is overflowing with queer drama and relatable humour.
The audience becomes the show in this interactive performance. But should this “non-threatening” experience apologise for not taking it far enough?
Petra Kalive’s debut season at the helm of STCSA promises the political, the playful and the profound.
"Theatre reminds us that feeling deeply is an act of courage" – Queensland Theatre Company reveals its 2026 campaign for hearts and minds.
From the conductor’s podium to opera’s power plays, November’s Limelight captures the people shaping Australia’s musical, operatic and theatrical future.
Short of revelatory on the subject of people and their pets, but good company thanks to actors with flawless comic instincts.
The Love Never Dies star succumbs to bowel cancer. The theatre community mourns the loss of a "towering presence".
Impressive visual design and a fine cast led by Nikki Shiels are the strong suits of this new take on Daphne du Maurier’s novel.
A hugely entertaining, high-tech staging of the Hollywood sci-fi comedy puts a smile on your speedometer dial.
The unpredictability of POV is its undoing on this occasion, but it's also the show's superpower.
The perfect piece with which to celebrate the egalitarian vibe, history and importance of Newcastle's Ocean Baths to the community.