Emotion, movement and design brought into beautiful balance for a timeless tale of love, power and justice.

Fair Play moves fast, hits hard and asks uncomfortable questions about who gets to compete – and on what terms.

From Mahler’s audacious First Symphony to site-specific bells and Sting's working class roots, April’s issue explores music, place and identity.

Isabelle Huppert is a force of nature: rag doll, witch, madwoman and plotter.

A cautionary for any maximalist theatre-maker: more is more, until it’s too much.

Cate Blanchett, Trevor Ashley and Suzie Miller among those nominated for British theatre's most prestigious honours.

Queensland Theatre Company's A Few Good Men and Shake & Stir's The Lovers among the shows spotlit in the 38th Matilda Awards.

Bernie Dieter's Weimar-inspired variety night leaves its audience not just entertained but galvanised.

An insightful interrogation of what it means to live both privately and performatively, underpinned by a masterful performance.

An ideal introduction to the theatre, Slingsby’s last hurrah is a timely reminder that storytelling is vital to our survival.

Equally at home on stage and screen, Bayly built a reputation for intelligence, warmth and formidable presence.

Set in modern Korea, Simon Stone's adaptation of Chekhov's final play captures the tenor of our uncertain times.