Review: The Threepenny Opera (Berliner Ensemble & Adelaide Festival)
Barrie Kosky’s brilliant makeover of Brecht, Weill and Hauptmann’s flawed masterpiece leaves you wondering how it could be performed any other way.
Barrie Kosky’s brilliant makeover of Brecht, Weill and Hauptmann’s flawed masterpiece leaves you wondering how it could be performed any other way.
The shadow of the folk-horror genre hangs over UK playwright Rob Drummond’s Grain in the Blood - but not too heavily.
Live Performance Australia pushes for UK-style tax relief scheme for local theatre producers to help stimulate sector investment and jobs.
Lab Kelpie’s latest production, Every Lovely Terrible Thing, excels in the campy juxtaposition of humour and horror.
Rear Window meets Cabaret in this joyous and sometimes achingly romantic exposé of desire, intimacy and love.
A Cadillac-smooth ride through a century and a half of American history distilled into the story of one of its rags-to-riches epics.
Rustic humour gets caught up in existential anxiety in this two-hander loaded with talent.
A marvel of stagecraft, Mario Banushi’s semi-autobiographical meditation on grief is as poetic as it is horrific.
In Agapi & Other Kinds of Love, composer James Humberstone and rapper Luka Lesson combine ancient poetry and modern hip-hop.
Queensland Theatre's Drizzle Boy and the musical Bananaland among the winners in the 36th annual Matilda Awards.
All up, with intervals, The Lewis Trilogy runs about seven hours. But don't let that put you off. As marathons go, it’s a benign one.
Absorbing performances, genuinely surprising twists and a new ending for this classic Patrick Hamilton thriller.
An innovative but inconclusive evening’s entertainment as the sun sets on Perth's Scarborough Beach.