Melanie Tait named the recipient of the award established in 2024 to support mid-career writers.

A fascinating historical tale of escape and derring-do but this detailed retelling risks becoming as confusing as the final chapter of Mission: Impossible.

Less is more in Suzanne Chaundy’s new production of a play about the Port Arthur massacre’s aftermath.

From Mahler’s audacious First Symphony to site-specific bells and Sting's working-class roots, April’s issue explores music, place and identity.

The editors of Limelight share their selection of the most exciting classical music, opera and theatre events coming soon.

From Mahler’s audacious First Symphony to site-specific bells and Sting's working-class roots, April’s issue explores music, place and identity.

Benjamin Law's mainstage debut unpacks family dynamics and the complex psychology of hoarding.

Beetlejuice, Victorian Opera's Katya Kabanova and MTC's Rebecca among the award magnets in this year's celebration of Melbourne’s live performance sector.

With a fine cast and design that’s a triumph of simplicity, this new play reminds Melbourne of the tragedy behind its largest and busiest bridge.

"It's still very surreal to me": Jake Lyle's classical background took him to the top of a long shortlist to play musical theatre's most mysterious character.

A stylish, fast-moving Julius Caesar that blinks at the assassination but nails the play’s ethical dilemmas.

Duncan Macmillan's early-career drama is still timely with its central question: what do we do with our lost boys?