Be careful what you wish for! State Opera South Australia’s magical all-local production brings out the best in Stephen Sondheim’s cautionary tale.

From symphonic reinvention to new theatrical worlds, Limelight's September issue spotlights artists reshaping tradition while forging their own futures.

Log in to read the flipbook version of Limelight's September 2026 magazine.

Actor Helen Thomson has spent a lifetime perfecting difficult women. Her role in Sydney Theatre Company's The Unfriend maybe her most perfectly difficult yet.

The editors of Limelight share their selection of the most exciting classical music, opera and theatre events coming soon.

An accomplished cast brings Patricia Cornelius’ play about dementia, dying and doomed explorers to life, but textual density obscures emotional depth.

Yes, Arthur Miller's Salesman is a tough act to follow. But that doesn't mean we shouldn't try.

Powerful physical performances but one of Australia's most skilled storytelling voices feels reduced to a whisper.

Visceral, sometimes disturbing connections with the city’s restless and nocturnal.

Kat Stewart is the beating heart of a powerful new play set in a working-class Australian town with limited life choices.

From symphonic reinvention to new theatrical worlds, Limelight's September issue spotlights artists reshaping tradition while forging their own futures.

We have a problem. An ambitious world premiere about a Mars mission fails to launch.