A thoughtfully crafted adaptation of Ibsen's classic drama gives the story an injection of dark humour and a 19th century Australian setting.

This macabre, darkly comic, strangely delightful show is a ride worth taking.

There is an ironic parallel between this musical’s faded movie star lead character and Sarah Brightman’s underwhelming return to musical theatre.

Oscar and Felix are back, this time with Shane Jacobson and Todd McKenney in the title roles of Neil Simon’s classic comedy.

Lally Katz’s two-hander is gender flipped with perfectly placed energy, integrity, zest and clowning.

Perhaps Candide, like its hero, is never destined to find its true form as a work of theatre. But there is still much to enjoy.

Neil Armfield's powerful production persuasively backs the argument that Arthur Miller's drama is true tragedy.

Sydney Theatre Company names Joanna Murray-Smith as its Patrick White Fellow and Wendy Mocke the winner of the Playwrights' Award.

A rare autoimmune condition took Robinson away from the stage for 10 years, prior to a memorable comeback at Belvoir.

If you like your comedy black and your satire vicious, Ulster American fits the bill perfectly.

Log in to read the PDF version of Limelight's June 2024 magazine.

Patti LuPone, Roderick Williams, Christos Tsiolkas, Benjamin Millepied ... stars from various firmaments are out in force in Limelight's June issue.