The April 2026 issue of Limelight is now available
From Mahler’s audacious First Symphony to site-specific bells and Sting's working-class roots, April’s issue explores music, place and identity.
From Mahler’s audacious First Symphony to site-specific bells and Sting's working-class roots, April’s issue explores music, place and identity.
Benjamin Law's mainstage debut unpacks family dynamics and the complex psychology of hoarding.
Beetlejuice, Victorian Opera's Katya Kabanova and MTC's Rebecca among the award magnets in this year's celebration of Melbourne’s live performance sector.
With a fine cast and design that’s a triumph of simplicity, this new play reminds Melbourne of the tragedy behind its largest and busiest bridge.
"It's still very surreal to me": Jake Lyle's classical background took him to the top of a long shortlist to play musical theatre's most mysterious character.
A stylish, fast-moving Julius Caesar that blinks at the assassination but nails the play’s ethical dilemmas.
Duncan Macmillan's early-career drama is still timely with its central question: what do we do with our lost boys?
Emotion, movement and design brought into beautiful balance for a timeless tale of love, power and justice.
Fair Play moves fast, hits hard and asks uncomfortable questions about who gets to compete – and on what terms.
From Mahler’s audacious First Symphony to site-specific bells and Sting's working class roots, April’s issue explores music, place and identity.
Isabelle Huppert is a force of nature: rag doll, witch, madwoman and plotter.
A cautionary for any maximalist theatre-maker: more is more, until it’s too much.
Cate Blanchett, Trevor Ashley and Suzie Miller among those nominated for British theatre's most prestigious honours.