The greatest strength of Jane Harrison's new play lies in its refusal to simplify its central figure.

A modestly produced but finely acted Australian premiere finds humour, hope and heartbreak in a royal visit to a Canadian AIDS hospice.

Making her title role debut, Emma Pearson invites us to the Silver Age of Viennese operetta, and the entire company comes to the party.

Violinist-composer Netanela Mizrahi earns nominations across three categories in this celebration of NT creatives both on and off the stage.

Creative Australia funds a pilot program to co-invest in the commissioning, development and presentation of new Australian theatre works beyond the capital cities.

A tension-filled second act elevates an uneven musical portrait of Grey Gardens' unforgettable mother and daughter.

QTC’s raucous regency romp takes another turn about the room.

As her international career goes from strength to strength, Suzie Miller talks about her latest play, Strong is the New Pretty, about the formation of the AFL’s women’s league.

Fresh from performing in the musical Waitress, the star of stage and screen believes he would be a different person had there not been so much music in his life.

The editors of Limelight share their selection of the most exciting classical music, opera and theatre events coming soon.

This month’s performance highlights from ABC Classic, independent radio and streaming.

The August edition of Limelight is one in which high notes, high aspirations and high marks combine.