Review: Anna K (Malthouse)
It’s sexism versus the modern woman in this powerful new play by Suzie Miller, inspired by Anna Karenina.
It’s sexism versus the modern woman in this powerful new play by Suzie Miller, inspired by Anna Karenina.
Theatre and opera tickets can be very pricey, but there are all kinds of initiatives and deals offering cheaper tickets, if you're prepared to look for them.
It’s impossible to resist this original Broadway production’s big hairdos and even bigger feel-good energy.
Cautious optimism suggests the ravaged industry is making a comeback, but improved attendance is contingent on low transmission risk.
After receiving the single largest philanthropic gift in its history, Australia’s Griffin Theatre Company will own its iconic Darlinghurst venue for the first time.
As the Edinburgh International Festival celebrates its 75th anniversary alongside the concurrent Edinburgh Fringe, it hosts the largest contingent of Australian artists in its history.
This month's features explore Melbourne Opera's Bendigo Ring Cycle, the challenge for orchestras to attract younger audiences, the new physical theatre production Holding Achilles, and an interview with choral superstar Eric Whitacre.
Mean Girls meets Freaky Friday in this adaptation of Alice Pung’s young-adult novel.
Led by Artistic Director Annette Shun Wah, OzAsia Festival returns to the Adelaide Festival Centre in October with over 500 artists across 50 events and 10 world premieres.
Another penetrating tour de force from an auteur director, this thrilling production demands and delivers in equal kind.
Angela Betzien's new play is a study of bureaucracy, burnout and teachable moments.
The 10-play season includes three world premieres, a David Williamson comedy, a Tennessee Williams masterpiece and a 2021 Tony Award-nominated play.
Director Clare Watson delivers a stylish, beautiful and assured production that will please lovers of Tennessee Williams.