A high-adrenaline drama from a unique perspective, portraying the daily lives of Australian soldiers in 2011 Afghanistan.

You might think that the Albanese government would offer less meat for the Wharf Revue team to sink its teeth into, but this latest iteration is among its sharpest and funniest.

This play about two actors at opposite ends of their careers is a persuasive peek behind the scenes.

Marrugeku, Eryn Jean Norvill and Deirdre O’Brien are the winners at this year's prestigious awards, recognised for their creativity and determination.

This new play by S. Shakthidharan and Eamon Flack is a soaring achievement, carried by an extraordinary international ensemble. There are joyous moments, but prepare to sob.

Tim Rice and Andrew Lloyd Webber’s musical is showing its age, despite a zingy new production and great performances by Euan Fistrovic Doidge, Paulini and a talented children's ensemble.

The Pavilion Performing Arts Centre promises to revitalise the Shire's artistic community, with its opening program hosting renowned Australian productions and newly commissioned local works.

An unsubtly fierce, fun mix of Shakespearean-era fact and contemporary feminist speculation.

This home-grown, semi-staged concert version is pretty darn good and a real crowd-pleaser.

From the power of choirs to the power of young people, the Adelaide Festival’s new Artistic Director Ruth Mackenzie shares her thoughts on next year’s program, and the future.

This month's features explore the magical appeal of A Christmas Carol, the challenges facing our cultural sector and why soprano Siobhan Stagg is in such demand. We also reveal the 2022 Limelight Artists of the Year.

Traversing time and place, this must-see play examines the oil industry, empire and greed through the microcosm of a timeless mother-daughter relationship.