Led by Artistic Director Annette Shun Wah, OzAsia Festival returns to the Adelaide Festival Centre in October with over 500 artists across 50 events and 10 world premieres.

Another penetrating tour de force from an auteur director, this thrilling production demands and delivers in equal kind.

Angela Betzien's new play is a study of bureaucracy, burnout and teachable moments.

The 10-play season includes three world premieres, a David Williamson comedy, a Tennessee Williams masterpiece and a 2021 Tony Award-nominated play.

Director Clare Watson delivers a stylish, beautiful and assured production that will please lovers of Tennessee Williams.

The newly appointed CEO will lead Victoria's iconic arts centre through a multiyear redevelopment costing $1.7 billion.

Radical staging and a brilliant new version of the score elevate Frank Wildhorn’s popular musical, produced professionally in a fully staged version for the first time in Australia.

Fifteen experts from across Australia’s creative industries have been appointed to five panels that will identify key issues in safeguarding Australia’s arts sector and its vital role in the economy.

The One is a vibrant, fun, inoffensive play, but it left Jessie Tu wondering if having characters catalogue the racial taunts they've endured frames them too much as a victim.

Both intriguing and alienating, this experimental performance interrogates the self in the digital age.

John Clark's new memoir analyses NIDA's profound impact on Australia's arts and culture. In this extract, he discusses the 1970 staging of The Legend of King O'Malley at Jane Street Theatre.

With The Glass Menagerie opening in Perth next week, actor Mandy McElhinney and director Clare Watson talk about Tennessee Williams' legacy and revisiting the oft-maligned role of Amanda Wingfield.