Review: Schubert: Winterreise (Mark Padmore)
Frozen, pitted surface of Padmore’s new Winterreise proves hard to crack.
June 14, 2018
Review: Antony Pitts: Jerusalem-Yerushalayim (David Suchet, Tonus Peregrinus)
An engaging, postmodern evocation of the holy city.
June 14, 2018
Review: Victoria: Tenebrae Responsories (Stile Antico)
Stile Antico lights Victoria’s dark music from within.
June 14, 2018
Review: Bach Family: Magnificats (Arcangelo, Jonathan Cohen)
A trio of Bach family Magnificats sound marvellously magnificent.
June 4, 2018
Review: Sibelius (Anne Sofie von Otter, Finnish Radio Symphony Orchestra, Hannu Lintu)
Von Otter joins a Finnish cast for a new look at some old songs.
June 4, 2018
The June 2018 issue of Limelight Magazine is on sale
Get your copy of Limelight Magazine's June 2018 edition featuring Anne-Sophie Mutter, Scott Rankin, Jessica Pratt and some of Australia's finest chamber ensembles.
June 4, 2018
Review: Haydn The Creation (Sydney Philharmonia Choirs)
Taryn Fiebig and Jud Arthur steal the show as a luminous Adam and Eve.
May 28, 2018
Taryn Fiebig on returning to the stage
After surgery and chemotherapy, the popular soprano performs in The Creation for Sydney Philharmonia Choirs, alongside husband Jud Arthur.
May 21, 2018
Review: The Gate of Glory (The Choir of Christ Church Cathedral, Oxford, Stephen Darlington)
Stephen Darlington delivers yet more glories from Eton via Oxford.
May 11, 2018
Review: Quella Fiamma (Nathalie Stutzmann/Orfeo 55)
Ancient meets modern in Stutzmann’s judicious treatment.
May 11, 2018
Review: Bach: St John Passion (Apollo’s Fire/Jeannette Sorrell)
A new St John Passion with plenty of passion to spare.
May 11, 2018
Review: Fauré: Requiem (Yale Schola Cantorum, David Hill)
A hybrid favourite gets the intimate chamber treatment.
May 11, 2018
Review: Mirages (Sabine Devieilhe)
Sabine Devieilhe conjures impressions of great beauty.
May 11, 2018