Review: Mozart (Juan Diego Flórez)
The Peruvian star sets his sights on Mozart with mixed results.
March 15, 2018
Review: Sheppard: Media Vita (Choir of Westminster Cathedral/Martin Baker)
A grand but moving celebration of Sheppard’s masterful music.
March 9, 2018
Review: Debussy: Images, Suite Bergamasque (Seong-Jin Cho)
Impressive maturity in Cho’s Debussian dream album.
March 9, 2018
Review: Ysäye (Ksenia Milas)
Milas passes the Ysäye test amid shows of technical heroism.
March 8, 2018
Review: Scarlatti: Keyboard Sonatas Volume 2 (Angela Hewitt)
Hewitt dazzles again with second volume of Scarlatti sonatas.
March 7, 2018
Review: Woefully Arrayed: Works by Jonathan David Little
Back to the future sees a postmodern take on polychoral.
March 6, 2018
Review: Lost Is My Quiet (Iestyn Davies, Carolyn Sampson)
Blowing the dust off the duet is a delight from start to finish.
March 6, 2018
Review: Claudio Abbado: The Opera Edition
This 60-CD box set includes 20 full operas and at least 15 “must-haves”. Clive Paget explores a collection of outstanding value that is also a terrific introduction to core repertoire.
March 6, 2018
Review: Midnight at St Etienne du Mont (Joseph Nolan)
Music of the night: Perth’s prestidigitator conjures up some musical wizardry after dark.
March 6, 2018
Review: Live at the Mariinsky (George Li)
Li reveals the awesome talent behind the cheery smile.
March 1, 2018
Review: Paganini (Sueye Park)
From chopsticks to a Guarneri, this fiddler will amaze you.
March 1, 2018
Review: Cello Napoletano (Catherine Jones, Van Diemen’s Band, Julia Federsdorff)
Cello works from the south turn out to be Neapolitan baroque treat.
March 1, 2018
Review: Schubert: Piano Quintet in A (Mutter, Trifonov, Hornung, Patkoló, Lee)
DG’s bigger fish reel in a particularly dramatic Trout.
March 1, 2018