Review: A London Symphony (BBC Symphony Orchestra, Martyn Brabbins)
Brabbins croons a wonderful Foggy Day in London town.
March 20, 2018
Review: George Martin: Film and orchestral scores (Berlin Music Ensemble, Craig Leon)
Beatles composer emerges from that Submarine’s shadow.
March 19, 2018
Review: Wagner: Der Ring des Nibelungen (Berlin Philharmonic/Herbert von Karajan)
Universal takes Karajan’s Ring and gives it a refreshing spring cleaning.
March 16, 2018
Review: In an Italian Garden (Les Arts Florissants, William Christie)
Christie and Co cavort in a Garden of Earthy Delights.
March 16, 2018
Review: Nicholas Vines: Loose, Wet, Perforated (Guerilla Opera)
Experimental opera on ancient principles from Oz composer.
March 16, 2018
Review: Jonathan David Little: Choral and polychoral works (Various performers)
Back to the future sees a postmodern take on polychoral.
March 16, 2018
Review: Rube Goldberg Variations (Flexible Music, Atlantic Brass Quintet, Amernet String Quartet)
An intriguing musical voice that should interest anyone in search of a new auditory experience.
March 16, 2018
Review: Mozart (Juan Diego Flórez)
The Peruvian star sets his sights on Mozart with mixed results.
March 15, 2018
Review: Sheppard: Media Vita (Choir of Westminster Cathedral/Martin Baker)
A grand but moving celebration of Sheppard’s masterful music.
March 9, 2018
Review: Debussy: Images, Suite Bergamasque (Seong-Jin Cho)
Impressive maturity in Cho’s Debussian dream album.
March 9, 2018
Review: Ysäye (Ksenia Milas)
Milas passes the Ysäye test amid shows of technical heroism.
March 8, 2018
Review: Scarlatti: Keyboard Sonatas Volume 2 (Angela Hewitt)
Hewitt dazzles again with second volume of Scarlatti sonatas.
March 7, 2018
Review: Woefully Arrayed: Works by Jonathan David Little
Back to the future sees a postmodern take on polychoral.
March 6, 2018