Review: Il Tenore (Freddie De Tommaso, Philharmonia Orchestra, Paolo Arrivabeni)
Freddie De Tommaso stakes claim as “The Tenor” of his generation.
Freddie De Tommaso stakes claim as “The Tenor” of his generation.
Nightingales sing loud and clear in part two of a must-have cycle.
Pitch perfect interpretations of works spanning a composer’s chequered lifetime.
A pair of world premieres headline a diverse and well-played Rautavaara survey.
Experimental chamber works at their best when things get physical.
Four sopranos, two rivals, one intriguing new recording.
Melnikov’s acclaimed Prokofiev Sonata cycle concludes with authoritative élan.
I Fagiolini lead a revival of the English madrigal.
Engaging, enjoyable music from somewhere over the rainbow in the Land of Oz.
Another interesting voice emerges from the melee of the mid-20th century.
Vick and Wellber’s anti-Parsifal has much to say that needs saying.
Swiss twist to how a forgotten Englishwoman emerged from the shadows.
A labour of love from a colourful composer.