I will never forget the day in February 2018 when our contracts were terminated on the spot, just days before the March issue went to print. Not only were we out of a job, but it looked as if Limelight would disappear.
It was the second time the publication had been on the brink of extinction, having nearly folded in 2013, when UK-based Haymarket Media announced it was divesting itself of its Australian titles. Limelight survived then, thanks to Andrew Batt-Rawden, and it survived in 2018 when music-loving subscribers Robert Veel and Bruce Watson came to the rescue as our new owners. And here we are, celebrating our 250th issue under the Limelight masthead.
The history of the magazine goes back further, of course. In fact, next year marks the 50th anniversary of the publication. It began life in January 1976 under the auspices of ABC Enterprises. Originally called ABC Radio 24 Hours, or simply 24 Hours, back then, it existed primarily to provide program details for ABC radio and television.
In July 2003, it was relaunched as Limelight, with a vibrant lime spine on the magazine cover. When the ABC relinquished the magazine in 2006, Haymarket Media took it over and expanded its coverage. Six years later, a redesigned publication was unveiled, with a new range of columns, which continued during Batt-Rawden’s tenure.
There have been a lot of changes since Bruce and Robert (who died suddenly in October 2023) took over. Australian arts and culture have changed a great deal since 24 Hours was founded, and Limelight has morphed and evolved in order to weather the many challenges it faces in a tough market.
Not only did we survive the pandemic, but we emerged from the lockdowns with a refreshed, new-look print edition that put long-form journalism at the core of each issue, with in-depth features exploring classical music and the performing arts alongside ‘think’ pieces about issues relating to arts and culture.
In December 2022, Jason Blake was brought on board as Digital Editor to oversee and enhance Limelight’s expanding online presence.
To have reached 250 issues, and counting, is a real achievement for a niche publication covering music, arts and culture – and never have we been more important given the contraction of arts coverage in the mainstream media. Many thanks to everyone who has contributed to Limelight over the years, and to you, our readers. Without you, we wouldn’t be here.
What does Limelight mean to you?
People told us in 2018 we were crazy to buy a failing music magazine! But Robert Veel and I knew Limelight’s true value, and helping it survive and prosper has been one of the highlights of my working life. Limelight plays a vital role supporting Australia’s performing arts world, and I thank the talent and dedication of our staff and writers, and the loyal support of our readers and clients who make this happen. I’d like to dedicate this milestone issue in memory of Robert’s vision, which continues to inspire us.
—Bruce Watson, Co-owner and Director of Limelight Arts Media Pty Ltd, which publishes Limelight
From the first appearance of Limelight, I have enjoyed the vast variety of articles. Otherwise, as a resident of our national capital, this would make me out of touch. I love reading about the individual achievements of various musicians, singers, dancers and actors. This sought-after information gives me a taste of what’s happening all over Australia and the rest of the world. Reviews of current and past productions are expertly framed. And forgive my total enjoyment – always – of the humour produced by the ever-versatile Guy Noble in his monthly Soapbox.
—Renée Goossens, Limelight subscriber
My subscription dates from the early days of 24 Hours, which commenced publication in conjunction with the ABC’s new FM radio network. The magazine contained a detailed listing of the network’s programs, along with related articles and reviews. This helped me plan my listening in advance. I also had the privilege of being invited to contribute the leading article for the March 1981 issue, commemorating the centenary of Béla Bartók’s birth. When 24 Hours became Limelight in 2003, I seriously considered cancelling my subscription as the full ABC program listings were no longer included and Limelight became more of a general arts magazine.
I am happy that I had second thoughts, because while music remains my main interest, continuing with Limelight has undoubtedly expanded my awareness and knowledge of the other arts, especially in the Australian context. Having digital access and receiving the weekly e-newsletter has added value to my subscription, although I am still happy to receive and read the printed copy. Besides the in-depth articles, I enjoy the reviews, especially of performances that I have personally attended. A recent example is Clive Paget’s insightful review in the June 2025 issue of The Royal Opera’s Die Walküre, which I was fortunate enough to see while in London. Over the years, I have also ordered a number of books which first came to my attention by reading a review in Limelight.
—John Meyer, Limelight subscriber
Years ago, my husband Keith and I would read ABC Radio 24 Hours, to follow the daily ABC radio programming. We enjoyed the diary of concerts, theatre and dance events and the articles about artists and performers. Then in 2003, Limelight was introduced and the format changed. We thoroughly enjoyed the interesting articles that were published, and the lime cover was magnificent – it gave the publication a real lift and an air of smartness. Congratulations on your 250th issue. I still enjoy Limelight. It’s an essential publication for music lovers, and I hope the magazine continues to flourish for many years.
—Irene Tognetti, Limelight subscriber
We know Australia is ‘the lucky country’, nowhere more so than in the arts. Australia’s artists are in global demand, and overseas artists appreciate how discerning Australian audiences are. There’s so much happening, it can be challenging to keep up with who’s who and what’s on, and the news and in-depth analysis that inform and inspire. Limelight does an amazing job in bringing it all together in an entertaining and engaging way. It’s why I’ve been a long-time subscriber. And, as a contributor through music reviews, I get to do my bit to support and promote the wonderful world of the arts.
—Clinton White, Limelight subscriber and music critic
Your Limelight Story
Whether you’ve turned our pages as a long-time subscriber, stumbled across a favourite feature, or discovered a new artist through our reviews, your connection with Limelight is part of our legacy.
We’d love to hear your stories.
- What’s a Limelight moment that’s stayed with you?
- Was there a particular story, cover, artist or issue that made an impact?
- How has Limelight been part of your journey in the arts?
- What does Limelight mean to you?
We’re collecting memories and reflections to help us mark this occasion. Your voice could be featured as part of our special 250th celebration.
Click the button below to share your story, or post on your socials with hashtag #Limelight250 and tag @LimelightArtsAu.
We can’t wait to hear from you.
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