Review: Tootsie (Teatro & On Your Feet Australia Pty Ltd)
Andrew Bevis delivers an impressive performance in the dual role of Michael and Dorothy in this entertaining musical comedy.
Jo Litson is the Editor of Limelight Magazine. She took up the position in late 2018 having joined the magazine as Deputy Editor in 2016. During a 35-year career as an arts journalist she has been a contributor to numerous publications including Limelight, The Australian, The Bulletin, and the Qantas magazine. She was the arts writer and theatre reviewer for The Sunday Telegraph for 12 years until 2018, and has written the labels for the Archibald Prize for the Art Gallery of New South Wales for over 20 years.
Andrew Bevis delivers an impressive performance in the dual role of Michael and Dorothy in this entertaining musical comedy.
If you need a little escapist pick-me-up, this delightful musical comedy could be just what you need.
Jake Lyle, who played The Phantom on Sydney Harbour, is one of OA's new Young Artists, who will perform in concert with the graduating class in August.
Donovan will return to Australia to play the rebellious Randle P. McMurphy in an exclusive Melbourne season, which he will co-produce.
British actor Nathaniel Parker will take on the role for Opera Australia, starring opposite Australian soprano Claire Lyon as Eliza Doolittle.
The editors of Limelight share their selection of the most exciting classical music, opera and theatre events coming soon.
The latest arts appointments and departures.
This month’s performance highlights from ABC Classic, independent radio and streaming.
A round-up of our recent news reports.
Kate Fell entices audiences to the Top End with her final program as Artistic Director, offering a magical "world away" experience.
Fast closing in on its 30th birthday, Julie Taymor's spectacular staging of this 'Hamlet with fur' story still entrances adults and kids alike.
The editors of Limelight share their selection of the most exciting classical music, opera and theatre events coming soon.
Despite two brilliant performances, not all the humour lands in this show about writing a bad musical, because their creation is – well, bad.