Review: We Are The Tigers (Cheers Productions & Hayes Theatre Co)
This comedy-horror musical in which a group of cheerleaders encounter a slasher feels unfocused, but you can't fault the terrific production.
Jo Litson is the Editor of Limelight Magazine. She took up the position in late 2018 having joined the magazine as Deputy Editor in 2016. During a 35-year career as an arts journalist she has been a contributor to numerous publications including Limelight, The Australian, The Bulletin, and the Qantas magazine. She was the arts writer and theatre reviewer for The Sunday Telegraph for 12 years until 2018, and has written the labels for the Archibald Prize for the Art Gallery of New South Wales for over 20 years.
This comedy-horror musical in which a group of cheerleaders encounter a slasher feels unfocused, but you can't fault the terrific production.
Simone Young talks about Wagner, the differences between Bayreuth and the Sydney Opera House, and why Salome is perfect to follow the SSO's Ring Cycle.
The editors of Limelight share their selection of the most exciting classical music, opera and theatre events coming soon.
A round-up of our recent news reports.
This month’s performance highlights from ABC Classic, independent radio and streaming.
The latest arts appointments and departures.
Monty Python fans will doubtless embrace it, but Spamalot feels dated, not helped by modest production values.
Julie Andrews' recreation of the legendary 1956 Broadway production is back and it's mostly "abso-bloomin'-lutely loverly".
Arts Centre Melbourne reopens the Ian Potter State Theatre this month. It’s just one of a number of new and revitalised venues around the country.
The latest arts appointments and departures.
The editors of Limelight share their selection of the most exciting classical music, opera and theatre events coming soon.
A round-up of our recent news reports.
In May, Harry Connick Jr. premiered a symphony at Carnegie Hall with Orchestra Victoria. He tells us why it was his most significant performance.