If you are creating something, Guy Noble recommends you don’t show an early draft to anyone for feedback. They may say it’s terrible, and they could be right – or wrong, as Tchaikovsky discovered.

At this year’s Australian Festival of Chamber Music, a concert inspired by Horrible Histories will explore the demise of several composers.

A round-up of our recent news reports.

The British conductor talks benchmarks, challenges and orchestral relationships.

In Europe for a series of high-profile appearances, the players of the Australian Youth Orchestra are making the most of the opportunity.

Low lights and beanbags, earmuffs and fidget toys. Melbourne Symphony Orchestra creates concert experiences catering to those with sensory sensitivities.

Kronos Quartet's David Harrington talks to Limelight about his new Chamber Landscapes project for the Adelaide Festival, one that opens itself to all kinds of possibilities.

Opera in the UK needs to be more relevant and diverse, but ultimately investment and education are what's needed to secure its future.

What makes a child prodigy ? We talk with some former Wunderkinds and artistic directors about how to nurture musically gifted children.

Now 87, Steve Reich is busier than ever. We talk with the legendary American composer about his six-decade, pioneering career.

Our reviewers and readers have voted for the Australian and international artists who particularly thrilled them over the past year. We are delighted to announce the winners ...

Handel’s tree-hugging despot enjoys a lively new outing, the Philly aces Rachmaninov, Christian Li explores Mendelssohn, and Offenbach’s Peruvian soufflé fizzes with fun.