After the frustrations of 2020, Amy Campbell has a big year in 2021. She is Resident Director on Hamilton, Movement Director on Once, and will unveil a production of A Chorus Line, complete with brand new choreography.
Miriam Hyde’s daughter recalls her mother’s love of music.
The Australian World Orchestra founder and CEO talks past, present and future ahead of the company's tenth anniversary.
Guitarist Andrew Blanch explains all in a deep dive back to the ‘90s.
Lynden Barber celebrates Latin American cinema with Chile’s Ema and Argentina’s Heroic Losers.
The two double bass players, who will share a desk in the upcoming Australian World Orchestra season, speak about the pleasures and challenges to be found at the deep end of the string section.
A new festival looks at women composers through the ages – and for once includes the token man.
Directing Pinchgut Opera's first fully staged opera since the pandemic began, Mitchell Butel draws parallels between baroque opera and jazz.
"No one wants to have their music played because of their gender," says Zoe Knighton, but...
Alice Chance and Joseph Newton discuss getting an aerial makeover with the Willoughby Symphony Orchestra in Chatswood.
Curated by Cameron Lam, this month's playlist of Australian art music features new music from 2021 Art Music Fund recipients and the first of the ABC's Fresh Start Commissions.
Award-winning film composer Stephen Warbeck, who wrote and directed The Man in the Hat with John-Paul Davidson, talks to Limelight about how he wanted his music to affect his hatted protagonist, not just the audience.
What with love, war and several day jobs, it’s remarkable that the French composer found time to compose.
