Welcoming ideas as well as finalised scripts, the revamped Award aims to amplify unheard voices, encourage inclusivity and give rise to works that speak to a diverse audience.
One remarkable day at the Sydney Opera House reminds us that we shouldn't underestimate the public's thirst for classical music, writes Alexander Briger.
The British conductor talks benchmarks, challenges and orchestral relationships.
Newcastle's iconic Ocean Baths is the subject and the stage for a new play that can truly call itself 'immersive'.
Accordion virtuoso James Crabb unpacks his creative partnership with violinist Anthony Marwood ahead of Adelaide and Canberra performances.
Blending classical chops with jazz freedom, Hiromi is about to bring her electrifying improvisations to Australian stages.
Cameron Lam’s September playlist creates a listening experience that keeps speeding up, using local Classical, Jazz and Sound Art.
Mixing improvisation and silliness, Reuben Lewis and Emily Bennett bring seat-of-the-pants fun to schools via Musica Viva Australia's education program.
Two nights of fascinating music from rising stars and improvising veterans.
It’s common to experience mental imagery while listening to music, but new research from The University of Sydney shows it also makes our imagination more social.
Your essential coast-to-coast guide to the Australian music being played on our concert stages this month.
Log in to read the flipbook version of Limelight's September 2025 magazine.
Are Australian orchestras and musical institutions genuinely embracing Indigenous voices?
