Stockholm may be a long way from Darwin, but for the DSO's former Music Director it's home from home.

Musica Viva’s outgoing CEO reflects on almost two decades in a role she’d originally planned as a career stepping-stone.

Sydney University Graduate Choir celebrates the centenary of the Armistice at the Sydney Town Hall.

Ahead of its Australian premiere at the OzAsia Festival, we speak to director Kirsten Dehlholm about an opera drawing on Noh theatre and performed by the Latvian Radio Choir.

The Russian pianist tells us about his grandmother’s music, the magic of Prokofiev and what he’s been up to since the Sydney International Piano Competition.

Friends and colleagues reflect on the life of the artist manager and founder of Diva Management, who lost her two-year battle with breast cancer earlier this month.

A rising star internationally, American soprano Amanda Majeski is about to make her Australian debut in the Beethoven Nine for SSO.

An orchestra may not be able to bring peace but it can at least help foster understanding, believes Daniel Barenboim. The outspoken advocate for reconciliation in the Middle East, and committed music educator, talks to Clive Paget as he prepares to visit Australia for the first time since 1970.

James Millar gives us the low-down on the new musical he has written with Peter Rutherford, playing in Melbourne this week.

The famous opera house in Milan is also home to a world-renowned ballet company. Jo Litson discovers what’s afoot when the Teatro alla Scala Ballet Company visits Brisbane next month for its first ever Australian tour.

Four years after filling in last-minute for Jaap van Zweden, the American conductor tells us about an early career that’s seen her gravitate from playing under Bernard Haitink to taking over his dressing room.

The Chinese pianist tells us about his special relationship with the music of Chopin, and how he gears up for a performance, ahead of concerts in Melbourne and Sydney.