Currently playing Mrs Bucket in Charlie and the Chocolate Factory, the musical theatre star recalls infant adventures in the pit, seeing Starlight Express 12 times, and getting the lead in the school musical at 14.
Two film-fests deliver the goods.
Carolyn Philpott’s work as a musicologist has taken her from writing a book about Malcolm Williamson to visiting Antarctica. She reveals how she is exploring the ways composers have used music to represent landscape, and how music might advocate for fragile regions.
In 1988, embarrassed at constantly being compared to Marlene Dietrich, Ute Lemper wrote to the legendary actor. She talks about the extraordinary three-hour phone call that followed, which, 30 years later, has led to the German-born cabaret star’s latest show.
The Sydney Symphony Orchestra's Chief Conductor tells us about recording the orchestra's new Westlake and Reich disc, Limelight's Recording of the Month in May.
The Australian conductor tells us about growing up in a musical clan, founding the Australian World Orchestra, and reducing the work load to better enjoy performances and time with his young family.
Its innovative livestreaming program, which introduces primary school students to opera, returns this month.
Flautist Tim Munro tells us why John Luther Adams' immersive score is something to crow about.
Terracotta Warriors to march on Melbourne.
A weekend of chamber music, gourmet delights and bonhomie for 140 lucky ticket holders.
Cicada song is a vividly Australian sound. Kate Moore tells us how these ‘little stringed instruments’ inspired her new work for the Australian String Quartet.
Rossini’s rarely-performed opera was written for the coronation of a king, with all the excess that entails. Director Damiano Michieletto explains how he got to grips with an opera that’s more showpiece than drama, and why he had to set it in an art gallery.
To celebrate Mother’s Day, four composers featured on ABC Classic’s Women of Note compilation tell us about the women who inspired them.
