We're celebrating our 250th issue this month. Rather than look back, we've asked leaders in the field to imagine what Australian theatremakers might be presenting when we publish Limelight #500.

This month, Cameron Lam’s Australian Art Music playlist seeks out shiny and new Classical, Jazz, & Sound Art by local composers.

Ahead of the Australian World Orchestra's performances of Mahler's Fourth and Fifth Symphonies, we look at the film and TV moments in which you might have heard them before.

The American cellist talks 19th-century showboating and finding his inner Carmen.

Adelaide Guitar Festival star Lau Noah is a virtuoso player, but storytelling – not showboating - is her focus. "If it doesn’t move me, it won’t move the listener".

100 axes! 100 amps! Canadian composer Tim Brady's mass music project 100 Guitars is ready to rock this year's Brisbane Festival.

80 years after the destruction of Hiroshima and Nagasaki, Allan Marett’s Noh play inspired by the "father of the atomic bomb" is being performed in Japan.

In an era in which Australian music festivals struggle with sustainability and curating distinctive offerings, Montreux shows us what is possible.

We're celebrating our 250th issue this month. Rather than look back, we've asked leaders in the field to imagine what music might be like when we publish Limelight #500.

Ahead of a major showcase of the work of the University of Melbourne’s Faculty of Fine Arts and Music in disability arts, we hear about a unique program that allows everyone to play music.

Your essential coast-to-coast guide to the Australian music being played on our concert stages this month.

A first-time collaboration between major regional companies might just switch Australian opera onto a new track.